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From 1997 till 1999 I made six series of portraits from doormen working at different cultural centres in Europe. In these series I give my point of view on the
differences and similarities in between the centres. I chose to take portraits of the
doormen because I believe that their policy reflects the vision and atmosphere of a particular centre. I think they are representative to such an extent that through
these portraits I can visualise my vision of the centre. Apart from the fact that a doorman admits the public after a possible selection- they are responsible for a good atmosphere during the evening. The way they achieve this is also representative for the centre
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